Living Colour

During the 1980s, rock had become completely segregated and predictable; the opposite of the late 60s/early 70s, when such musically and ethnically varied artists as Jimi Hendrix, Sly & the Family Stone, and Santana ruled the Earth. But bands such as New Yorks Living Colour helped break down the doors by the end of the 80s, leading to a much more open-minded musical landscape that would eventually pave the way for future bands (Rage Against the Machine, Sevendust, etc.). The group (singer Corey Glover, guitarist Vernon Reid, bassist Muzz Skillings, and drummer Will Calhoun) first formed in the mid-80s, with Reid being the only member with real prior band experience; he was a member of Ronald Shannon Jacksons experimental jazz outfit, and had recorded with Defunkt, Public Enemy, as well as issuing a solo album with Bill Frisell, 1984s Smash & Scatteration. It took the fledgling band a few years for their sound to gel, as they honed their act at N.Y.C.s famed CBGBs. But the group found an unlikely supporter in Mick Jagger, who took the band under his wing, produced a demo for the quartet, and helped them secure a record deal with Epic (just prior, Glover had to take a brief leave of absence from the band, as he landed a role in Oliver Stones Vietnam War epic movie, Platoon). Living Colours debut album, Vivid, was issued in the summer of 1988, yet it would take a few months for momentum to build. By the winter, the bands striking video for their anthem Cult of Personality was all over MTV, pushing Vivid to the upper reaches of the charts and to platinum certification. Living Colour also took home their first of several Grammy Awards, as Cult won Best Hard Rock Performance at the 1989 ceremony, and the band supported the release with a string of dates opening stadiums for the Rolling Stones first U.S. tour in eight years that autumn. Starting with Vivid and continuing on future albums, the band showed that rock could still convey a message (as evidenced by such tracks as Open Letter to a Landlord, Funny Vibe, among others). The quartet regrouped a year later for their sophomore effort, Times Up, an album that performed respectfully on the charts but failed to live up to the expectations of their smash debut. An appearance at the inaugural Lollapalooza tour in the summer of 1991 kept the group in the publics eye, as did an EP of outtakes, Biscuits. Skillings left the group shortly thereafter (replaced by studio vet Doug Wimbish), as their darkest and most challenging release yet, Stain, was issued in 1993. Although it failed to sell as well as its predecessors, it retained the bands large and dedicated following, as Living Colour appeared to be entering an interesting and groundbreaking new musical phase of their career. The band began writing the following year for what would be their fourth full-length, but an inability to settle on a single musical direction caused friction between the members, leading to Living Colours demise in early 1995. In the wake of Living Colours split, all of its former members pursued other projects. Reid issued a solo album, 1996s Mistaken Identity (as well as guesting on other artists recordings), while Glover attempted to launch a career as a solo artist, issuing the overlooked Hymns in 1998 and finding time to appear as a VJ on VH1 and acting in the 1996 movie Loose Women. Calhoun and Wimbish remained together and launched a new outfit, the drumnbass-inspired Jungle Funk, who issued a self-titled debut release in 1997 (Wimbish also issued a solo album, Trippy Notes for Bass, in 1999). With Living Colour out of commission for several years by the early 21st century, Calhoun and Wimbish teamed up once more with Glover in a new outfit, Headfake, playing often in the New York City area. A few days before Christmas in 2000, Headfake played a show at CBGBs, and were joined on-stage by Reid, which led to rumors of an impending Living Colour reunion. The rumors proved to be true, as Living Colour launched their first tour together in six years during the summer of 2001. In 2003, Living Colour returned with a deal with Sanctuary and their most experimental release to date, Collideøscope. Two years later the rarities collection Whats Your Favorite Color? was released, followed by Everything Is Possible: The Very Best of Living Colour in 2006.